



Lost At Sea, 2025
Acrylic, pastel, charcoal, receipt paper, sticky notes, and notepad paper on canvas.
48 x 48 inches
$800*
With this piece, I wanted to capture the fast, energetic rhythm of New York City using layers of color, text, and movement. Taxi fare charts, phrases I’ve heard from drivers, and bits of street language appear and fade beneath bold areas of yellow, red, and black, reflecting the constant push and pull of time, money, and motion. Lines cross and loop like routes on a city map, while rough textures and repeated marks show wear, routine, and everyday life. The process was both messy and deliberate, allowing me to capture small moments of the city where my personal story exists within its noise, systems, and signs. The inspiration behind the taxi theme emerged after I watched several New York City taxi drivers share their stories about how Mayor Zohran Kwame Mamdani supported them during his time as an Assemblyperson. The passion and sincerity in their voices deeply resonated with me. Listening to such an authentic perspective from the people behind one of the city’s defining elements—the yellow cab—brought a sense of comfort and familiarity, layered with chaos and nostalgia. As the cherry on top, I completed this piece on eve of Mayor Mamdani's inauguration.




River of Tears, 2025
Oil, acrylic, charcoal, sticky notes, caselaw, ink, and pastel on canvas
60 x 72 inches
$1,450*
Here, I explore tension, movement, and resilience through layered marks and contrasting color. Thick textures and rough surfaces are intentionally thrown together to create a sense of weight and accumulation, while bright blues, greens, and ochres push against sharp reds that cut through the composition like blood flowing through an artery. Gestural lines suggest pathways, fractures, and growth, moving vertically and horizontally as if mapping a cityscape within a body. Fragments of symbols and words emerge and dissolve, reinforcing a feeling of struggle balanced by persistence. Most importantly, pages from my case law textbooks once again appear as an underlying layer, grounding the work in my legal and personal history. The spark behind this piece grew out of an acute sensitivity to injustice that has intensified in the current political climate—something I’ve recently come to understand is closely connected to my diagnosed ADHD. The use of case law, the referenced expressions, and the rich presence of red all emerge from a deep sense of anger and frustration that shaped the work as it came to life.




Big Boy Birthday Joy, 2025
Acrylic, charcoal, plaster, and ink on canvas
48 x 48 inches
$400*



Greenpoint, 2025
Oil, acrylic, charcoal, receipt paper, sticky notes, caselaw, ink, and pastel on canvas
60 x 72 inches
$1200 - SOLD


Should Have, 2025
Oil, acrylic, charcoal, sticky notes, caselaw, receipt paper, ink, and pastel on canvas
60 x 72 inches
$1900 - SOLD




Untitled, 2025
Oil, acrylic, charcoal, sticky notes, ink, and pastel on canvas
48 x 60 inches
$800 - SOLD


Derailed, 2024
Oil, acrylic, charcoal, receipt paper, ink, and pastel on canvas
48 x 60 inches
Not for sale.




Many Men, 2025
Acrylic on canvas
60 x 72 inches
Not for sale.
*Price does not include local sales tax. All pieces are available for free local pickup. Shipping can be arranged for an additional cost. Please inquire for more information.









